"Pearls were a favorite item of Vermeer," observes Cornelius Engelbrecht, the secretive and obsessive professor whose conviction that he owns an authentic Vermeer launches Vreeland's lovely first novel. The painting, we soon discover, was taken from its proper (Jewish) owner by Engelbrecht's father, a German soldier during World War II--a fact that Engelbrecht struggles mightily to suppress. The one colleague to whom he shows the painting guesses the truth and derisively recommends that he burn it--"one good burning deserves another"--but we don't learn the fate of the painting. Instead, Vreeland constructs a series of vignettes, not necessarily chronological, that takes us from the rooftops of Amsterdam Jews forced to kill the pigeons they are no longer allowed to keep, to a Dutch merchant whose possession of the painting briefly complicates his marriage, to the boudoir of a French counsel's bored wife and the second story of a farmhouse in flooded Holland, and finally to the home of Vermeer himself, where art does battle with domestic necessity. Though the connections among the vignettes could be made clearer, and the ending feels abrupt--how did that painting get from the artist to the weary professor, and what finally happens to it?--each vignette has the stillness, the polish, and the balanced perfection of a Vermeer. Not quite perfect, but definitely a pearl. Griet, the "girl with the pearl earring," may be a pearl herself--fair, soberminded, and gentle--but the novel in which we find her is not quite so polished. Chevalier (The Virgin Blue) writes a little plainly of her heroine, forced when her father is blinded in an accident to work as a maid in the home of Vermeer. Eventually, Vermeer asks her to pose for a painting--wearing his wife's earrings--which causes a scandal and Griet's determined departure from the household. The artist's coaxing of the reluctant sitter is delicately rendered, but otherwise this text fails to ignite.Barbara Hoffert, "Library Journal" Copyright 1999 Cahners Business Information, Inc. From: Reed Elsevier Inc. Copyright Reed Business Information

Susan Vreeland's short fiction has appeared in journals such as The Missouri Review, Confrontation, Calyx, and Alaska Quarterly Review. Her first novel, What Love Sees, was broadcast as a CBS Sunday night movie in 1996. She teaches English literature, creative writing, and art in San Diego public schools. Distributed by Syndetic Solutions, Inc.

Love Enough	1
A Night Different From All Other Nights	36
Adagia	60
Hyacinth Blues	82
Morningshine	109
From the Personal Papers of Adriaan Kuypers	155
Still Life	198
Magdalena Looking	224

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