A dazzling triumph from the bestselling author of The Virgin Suicides--the astonishing tale of a gene that passes down through three generations of a Greek-American family and flowers in the body of a teenage girl. In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond clasmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs takes us out of suburbia- back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite. Spanning eight decades--and one unusually awkward adolescence- Jeffrey Eugenides's long-awaited second novel is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It marks the fulfillment of a huge talent, named one of America's best young novelists by both Granta and The New Yorker.
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From: Reed Elsevier Inc.
Copyright Reed Business Information
Adult/High School-From the opening paragraph, in which the narrator explains that he was "born twice," first as a baby girl in 1960, then as a teenage boy in 1974, readers are aware that Calliope Stephanides is a hermaphrodite. To explain his situation, Cal starts in 1922, when his grandparents came to America. In his role as the "prefetal narrator," he tells the love story of this couple, who are brother and sister; his parents are blood relatives as well. Then he tells his own story, which is that of a female child growing up in suburban Detroit with typical adolescent concerns. Callie, as he is known then, worries because she hasn't developed breasts or started menstruating; her facial hair is blamed on her ethnicity, and she and her mother go to get waxed together. She develops a passionate crush on her best girlfriend, "the Object," and consummates it in a manner both detached and steamy. Then an accident causes Callie to find out what she's been suspecting-she's not actually a girl. The story questions what it is that makes us who we are and concludes that one's inner essence stays the same, even in light of drastic outer changes. Mostly, the novel remains a universal narrative of a girl who's happy to grow up but hates having to leave her old self behind. Readers will love watching the narrator go from Callie to Cal, and witnessing all of the life experiences that get her there.-Jamie Watson, Enoch Pratt Free Library, BaltimoreCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From: Reed Elsevier Inc.
Copyright Reed Business Information
In his second novel, the author of The Virgin Suicides (1993) once again proves himself to be a wildly imaginative writer, this time penning a coming-of-age tale, ranging from the 1920s in Asia Minor to the present in Berlin, about a hermaphrodite. Perhaps what is most surprising about Eugenides' offbeat but engrossing book is how he establishes, seemingly effortlessly, the credibility of his narrator: «I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan.» So starts Cal's remarkably detailed odyssey, which began when his grandparents, who were siblings, married and vowed to keep the true nature of their relationship a secret; however, their deception comes back to haunt them in the form of their grandchild. With a sure yet light-handed touch, Eugenides skillfully bends our notions of gender as we realize, along with Cal, that although he has been raised as a girl, he is more comfortable as a boy. Although at times the novel reads like a medical text, it is also likely to hold readers in thrall with its affecting characterization of a brave and lonely soul and its vivid depiction of exactly what it means to be both male and female. Joanne Wilkinson.
From: Syndetics Solutions, Inc.
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Book 1 |
|
|
The Silver Spoon |
13 |
|
Matchmaking |
41 |
|
An Immodest Proposal |
80 |
|
The Silk Road |
121 |
|
Book 2 |
|
|
Henry Ford's English-Language Melting Pot |
149 |
|
Minotaurs |
198 |
|
Marriage on Ice |
235 |
|
Tricknology |
276 |
|
Clarinet Serenade |
304 |
|
News of the World |
335 |
|
Ex Ovo Omnia |
362 |
|
Book 3 |
|
|
Home Movies |
391 |
|
Opa! |
423 |
|
Middlesex |
459 |
|
The Mediterranean Diet |
494 |
|
The Wolverette |
531 |
|
Waxing Lyrical |
562 |
|
The Obscure Object |
582 |
|
Tiresias in Love |
620 |
|
Flesh and Blood |
655 |
|
The Gun on the Wall |
684 |
|
Book 4 |
|
|
The Oracular Vulva |
723 |
|
Looking Myself Up in Webster's |
764 |
|
Go West, Young Man |
792 |
|
Gender Dysphoria in San Francisco |
826 |
|
Hermaphroditus |
859 |
|
Air-Ride |
893 |
|
The Last Stop |
922 |
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