Responding to a request from Hanoverian Princess Caroline of Brandenburg-Ansbach, Royal Society Fellow Daniel Waterhouse leaves his Boston home to travel to London to mediate a volatile dispute between Gottfried Wilhelm von Leibnitz and Sir Isaac Newton over the origin of the calculus. There, Waterhouse becomes embroiled in the search for a clandestine group of terrorists who are attempting to assassinate prominent proponents of Natural Philosophy including Waterhouse himself. Set against the vibrant cacophony of the early 1700s, this conclusion to Stephenson's stunning "Baroque Cycle" (Quicksilver; The Confusion) stands out as a masterwork of time, place, and people. Familiar characters reappear: Jack Shaftoe acquires an even greater reputation as a rogue extraordinaire, and Eliza, the Duchess of Arcachon-Qwghlm, makes her presence felt in high society. In a style both conversationally modern and atmospherically reminiscent of the period, Stephenson captures the spirit of an age of great discoveries, high "technology," and resourceful individuals. Highly recommended for general and historical fiction collections. Jackie Cassada, Asheville-Buncombe Lib. Syst., NC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From: Reed Elsevier Inc.
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Responding to a request from Hanoverian Princess Caroline of Brandenburg-Ansbach, Royal Society Fellow Daniel Waterhouse leaves his Boston home to travel to London to mediate a volatile dispute between Gottfried Wilhelm von Leibnitz and Sir Isaac Newton over the origin of the calculus. There, Waterhouse becomes embroiled in the search for a clandestine group of terrorists who are attempting to assassinate prominent proponents of Natural Philosophy including Waterhouse himself. Set against the vibrant cacophony of the early 1700s, this conclusion to Stephenson's stunning "Baroque Cycle" (Quicksilver; The Confusion) stands out as a masterwork of time, place, and people. Familiar characters reappear: Jack Shaftoe acquires an even greater reputation as a rogue extraordinaire, and Eliza, the Duchess of Arcachon-Qwghlm, makes her presence felt in high society. In a style both conversationally modern and atmospherically reminiscent of the period, Stephenson captures the spirit of an age of great discoveries, high "technology," and resourceful individuals. Highly recommended for general and historical fiction collections. Jackie Cassada, Asheville-Buncombe Lib. Syst., NC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Stephenson, enjoying cult status for his 1999 novel Cryptonomicon as well as the first two installments in a trilogy he calls the Baroque Cycle (Quicksilver [BKL S 1 03] and The Confusion [BKL F 15 04]), brings the long-winded but compulsively readable series to its conclusion. All three volumes have been lengthy but also effective as the author delves deeply into European history in the late-seventeenth and early-nineteenth centuries, eras of great intellectual and political ferment. Daniel Waterhouse, who was introduced in the first volume, has come back to England from the American colonies to mediate a dispute between two scientists, Isaac Newton and Gottfried von Leibniz. Around this continuing struggle, which has a side story encompassing Newton's desire to find a time-bomb-armed criminal gang, led by his archenemy, a counterfeiter called the king of the vagabonds, swirls a larger arena of contention: the probably sooner rather than later death of Queen Anne and whether the Whigs or the Tories will dominate the court in the reign that follows. Obviously--given the book's length--details are profuse, but each detail speedily draws readers into the narrative rather than impeding it. The language, to correlate with the times in which the novel is set, is done in a stately but not overwrought style. Expect considerable demand. BradHooper.
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