Starred Review. Furst (The Foreign Correspondent) solidifies his status as a master of historical spy fiction with this compelling thriller set in 1937 Poland. Col. Jean-François Mercier, a military attaché at the French embassy in Warsaw who runs a network of spies, plays a deadly game of cat-and-mouse with his German adversaries. When one of Mercier's main agents, Edvard Uhl, an engineer at a large Düsseldorf arms manufacturer who's been a valuable source on the Nazis' new weapons, becomes concerned that the Gestapo is on to him, Mercier initially dismisses Uhl's fears. Mercier soon realizes that the risk to his spy is genuine, and he's forced to scramble to save Uhl's life. The colonel himself later takes to the field when he hears reports that the German army is conducting maneuvers in forested terrain. Even readers familiar with the Germans' attack through the Ardennes in 1940 will find the plot suspenseful. As ever, Furst excels at creating plausible characters and in conveying the mostly tedious routines of real espionage. Author tour. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From: Reed Elsevier Inc. Copyright Reed Business Information

Starred Review. Furst's latest novel is sure to be counted as one of the very best of the historical espionage genre. Literate, admirably plotted, and featuring a memorable protagonist, it is realistic and sad but hopeful and romantic. A highly competent French army officer, Jean-François Mercier is assigned in 1937 to military attaché duty in Warsaw, a position recognized by all as an opportunity, if not a duty, to engage in spying. Mercier is a World War I combat-wounded hero, a widower whose behavior reveals a nobility and a sense of honor mostly lacking in today's fiction heroes. Using Polish and German agents, he engages in thrilling derring-do and soon recognizes the sinister intentions of the Nazis, which the French high command apparently chooses to ignore. He does his best to alert the French General Staff, especially as to German invasion strategy. Furst brilliantly captures the setting, along with the cynicism of the Warsaw sociopolitical scene. His presentation of Mercier's romantic interludes with a Parisian woman of Polish heritage is sophisticated, elegant, and discreet. Enthusiastically recommended for all libraries. [See Prepub Alert, LJ 2/1/08.] Jonathan Pearce, California State Univ., Stanislaus Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From: Reed Elsevier Inc. Copyright Reed Business Information

*Starred Review* It's the autumn of 1937, and the shadows of war are darkening over Warsaw. Colonel Jean-Francois Mercier, military attaché with the French embassy (a spy, that is), doesn't like what he's hearing, wherever he snoops. The Poles know trouble is coming but aren't prepared for it, and the French, who might still be able to prepare, are convinced they are impregnable. As spies from throughout Europe gather at sundry diplomatic functions to trade innuendos, Mercier stumbles across what could be the real thing: access to a renegade Nazi who might be able to broker a deal that could give the French knowledge of German attack plans. This is Furst's wheelhouse, of course, Europe sliding toward war, "intelligence" flowing as freely as wine in every café, romance (a shadow sport, like espionage) flourishing as tanks gather at the border. Furst uses essentially the same setting (Warsaw stands in for Paris this time) and establishes the same mood in most of his novels, but he always gives us something new, some heretofore unrevealed angle of vision. This time it's a behind-the-scenes look at French spies trying to convince French politicians to open their eyes. That's the big picture, but as always, it's the human side of the drama that draws us: Mercier, the career soldier, falling in love at the wrong time with a Polish lawyer and attempting to carve out an individual life in the midst of international chaos. Nobody does this stuff better than Furst because nobody can dramatize like he can the horrible realization that somebody else's politics will soon obliterate daily life as you know it. Ott, Bill. From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.